Pulham, Esq. Marvin Myles. Hide Show Producer 2 credits. Hide Show Additional Crew 1 credit. Hide Show Soundtrack 3 credits. Hide Show Self 29 credits.
Joyce Brothers Lindsay Self - Guest. On film. Self - Guest Host. Self - Celebrity Panelist. Ricardo Montalban Self - Guest Panelist. Self - Actress. Self - Mystery Guest. Self - Guest Star. Self - Match Game Wife. Hide Show Archive footage 52 credits. Self uncredited. TV Movie documentary Eva Hermann. Alexander Stefan: My Passion Video. Self segment "Bombshell". Haben Sie welche? In Lamarr met George Antheil at a dinner party.
Antheil was another quirky yet clever force to be reckoned with. Known for his writing, film scores, and experimental music compositions, he shared the same inventive spirit as Lamarr.
She and Antheil talked about a variety of topics but of their greatest concerns was the looming war. And so, Lamarr and Antheil began to tinker with ideas to combat the axis powers. The two came up with an extraordinary new communication system used with the intention of guiding torpedoes to their targets in war. Doing so prevented the interception of the radio waves, thereby allowing the torpedo to find its intended target. After its creation, Lamarr and Antheil sought a patent and military support for the invention.
While awarded U. Patent No. The rejection led Lamarr to instead support the war efforts with her celebrity by selling war bonds. Happy in her adopted country, she became an American citizen in April While she continued to accumulate credits in films until , her inventive genius was yet to be recognized by the public.
Although she died in , Lamarr was inducted into the National Inventors Hall of Fame for the development of her frequency hopping technology in Bedi, Joyce.
Camhi, Leslie. DeFore, John. April 2, July 30, APA: Cheslak, C. Mayer, who first signed LaMarr to a Hollywood contract, saw women as fitting into one of two buckets: they were either seductive, or, they were to be put on a pedestal and admired from afar. A woman being both sexy and admirable was not something Professor Horak believes Mayer was willing to accept or project to film audiences. Mayer divided the world into two kinds of women: Madonna and whore.
According to Dr. Nyeck, women are positioned as one of three archetypes: The powerful, clever Queen, the seductive Princess, or the Femme Fatale who is a combination of both. He says these archetypes date back to Greek mythology and are still used to depict women in media and advertising today. Nyeck says.
Nyeck notes that historically, women have been positioned in the media within an antiquated, one-dimensional framework created from a male perspective. In that framework, multi-faceted women like Lamarr are often only valued for their physicality, and not for their ability to think, invent or create. That narrative about the limited capabilities of women is projected to impressionable audiences around the world.
Because of this, Dr. Or that it has taken decades for the narrative around Lamarr to evolve to give her credit as the inventor that she was.
So, of course, the heroes with all the complexity and the drama, are men, you know. The female subject is often somebody who is just there to highlight the qualities and complexity of the male subjects. Media Summit event that I chaired in May
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